| Cinematographer |
|
Hans Jörg
Allgeier |
| Second Unit |
|
Jürgen Carle |
| Loader |
|
Thomas Sebastian
Makosch |
| Editing |
|
Bernd Lorbiecki,
Barbara Luniak Weber |
| Soundtrack editing |
|
Renate Nebe, Michael
Kugel |
| Music |
|
Christian Knobel |
| Sound |
|
Karl Thal |
| Sound assistant |
|
Peter Esterle |
| Special Effects |
|
Uwe Böhner |
| Mixing |
|
Norbert Fischer |
| Revolving stage |
|
Heinz Mitzel |
| Dolly |
|
Karl-Heinz Kirchner |
| Costume |
|
Inge Heer |
| Wardrobe |
|
Irina Selikovsky,
Markus Breuer |
| Makeup |
|
Erika Schuster, Ute
Lindner-David |
| Art direction |
|
Annette Ganders |
| Props |
|
Manfred Friedrich, Eva
Müller |
| |
|
|
|
|
| Stage
manager |
|
Hernrich
Huck |
| Main light guy |
|
Udo Meier |
| Other light guys |
|
Jochen Faulhaber, Bernd
Herr, Bruno Reiss |
| Production Management |
|
Michael Becker, Regina
Martin |
| Production assistant |
|
Juliane Ersig, Daniele
Fritz |
| Assistant Director |
|
Marie-Luise Bless |
| Continuity |
|
Petra Misovic |
| Executive producer |
|
Monika Zimmermann |
| Script |
|
Werner Zeindler |
| Additional scenes |
|
Mathias Allary |
| Editorial staff |
|
Cornelia Ackers,
Karl-Heinz Holub |
| Production |
|
Susan Schulte |
| Director |
|
Mathias Allary |
| |
|
|
|
